An Acconci-designed island in the Mur River in Austria
I talk against art because the tradition of art is that the viewer stands here and the art is there. Anywhere else, when you come upon something for the first time, you pick it up, you turn it upside down, you touch it and smell it and possibly taste it. But you aren't allowed to touch art because art is more expensive than people, which is a repulsive position.'
~ Vito Acconci
Vito Acconci, the renegade artist turned architect, in 2003 designed a children's playground, Murinsel, an artificial island shaped like a giant bowl that twists into a dome. It arrived via river in Graz, Austria. (It was so instantly notable that a Graz bakery named a pastry after it before the last curve was set in place.)
The building is in the form of a giant sea shell. Two foot-bridges connect it with both banks of the Mur River. The center of the platform forms an amphitheatre. Below a twisted round dome there is a café and a play-ground. The Murinsel is built for a maximum number of 350 visitors.
Acconci said of the project, “We wanted to design something which clearly demarks two zones and makes them interlace with each other. People in the theatre see the playground in the background, and when in the café, the playgound becomes part of the roof. These two functions should not be separated radically, as the water flows around the island in permanent motions; we wanted to construct something that keeps flowing and changing all the time.”
His work in general concentrates on people, including seemingly uninvolved passers-by. He's an interesting character with an interesting history. I have to stop researching it now - it's making me want to go play in and/or on the water. If you want to learn more about him, Aric Chen wrote an article in the New York Times about him in the Style section on September 18.